Still We Rise: A Movement Forward
The daughter of two immigrants herself, Prof. Meunier had a personal connection to this event. The music played by the violinist and cellist created a melancholy tone, arising feelings of struggle and sadness for the audience. Starting the event with a scene from the play, Staging the Daffy Dame, performed students in Prof. Brainin’s class, two actors performed a piece that revealed the fear and complexity of an undocumented person. This scene outlined the night, telling viewers, the real problems currently recognized. The music coupled with the interpretive dances epitomized the feelings of anguish present in struggling newcomers to the United States. Prof. Meunier explained the tone of this music and dance to be one that, “made [the crowd] feel the feelings I felt as a little girl, the anxiety, the fear, the hope, depression.” The spoken poetry as read by Prof. Benjamin furthered the overall theme of the struggle faced by immigrants. Reciting two of his own poems, as well as “Prospective Immigrants Please Note” by Adrienne Rich, “At the Cemetery at Walnut Grove Plantation, South Carolina, 1989” by Lucille Clifton, and ended with a piece by Nelson Mandela. Prof. Benjamin stirred the audience, raising issues in the poems that addressed those that were demeaned, silenced, and frightened due to current events.
All the contributors to this event wanted those present to have, “more awareness of what it would be like to feel threatened” according to Prof. Brainin, to “leave with a double consciousness and a greater understanding for multiple perspectives” as mentioned by Prof. Benjamin, and as stated by Prof. Meunier, “to embrace diversity because it is what makes us powerful.” Concluding this event, the dancers collectively recited a poem by Maya Angelou, Still I Rise, the inspiration to the title of the event, Still We Rise, and the event itself. The dancer’s final collective exclamation of “I rise” reminded those present that through the trials and tribulations, progress will come.
-Nicollette Juchum, AD&A Museum Intern